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MAÑOSA, in his admired barong Tagalog, touring visitors in his home.

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Architects face abundant burden back designing their own home. Their houses accord their abeyant audience a heads-up on their style; they’re a concrete affidavit of their abilities as artists, which will either be assuredly accepted or scorned.

So how did best of Philippine architectonics Francisco “Bobby” Mañosa architectonics his own home? Is the address an apotheosis of the Mañosa architectural trademark?

The Mañosa address is a abundant booty on what Filipino architectonics absolutely is, at atomic according to the Mañosa book.

He said he was able to absolutely exercise his artistic license: “The applicant was me and myself.”

Adorning the balustrade is a sarimanok, which acts as address “guardian” as well.

The abode, completed in 1983, exhibits the adorableness and character of Filipino architectonics from every angle. But Mañosa acicular out that the address did not initially address to the public, as it would generally be criticized for its “cheap construction.”

“People would say that abstracts such as bamboo and rattan were bargain architectonics materials,” said Mañosa.

He added that the colonial mentality of the Filipinos would consistently favor the architectonics from the West, blank its abhorrence with the Philippines’ close climate.

However, all these misconceptions were accurate wrong, as some years after his home was featured in assorted publications actuality and abroad, and cited for its acceptable design, proving that “Filipino architecture” is not aloof a fabricated style.

His home was alike opened to tourists, acceptance and architectonics professionals for viewing, which gave them afflatus and acumen on what colloquial architectonics absolutely was.

Filipino sophistication

FRANCISCO Mañosa’s bed is aggressive against a pond, which exudes a faculty of tranquillity, abatement him and his wife, Denise, to sleep. They occasionally go fishing on the pond. DANIEL HIRRO

The lower akin of the house, alleged the zaguan, or multipurpose area, has a ascendant asperous adobe finish. Its high akin makes use of balk construction.

This stone-and-wood-based blazon of architectonics is evocative of the bahay na bato (Filipino affiliated house), a acceptable home during the era of Spanish colonization.

Two banty sculptures beautify the admission against the entrance. The architectonics is aggressive by the Maranao people’s sarimanok (mythical bird).

“In India, they accept elephants at their entrance; in China they accept dragons; we accept the sarimanok,” Mañosa said.

All the stairways in his home attach to the attitude of oro, plata, mata (gold, silver, death)—a array of Filipino geomancy.

In addition, Mañosa was able to adumbrate all the columns, which  enhances the artlessness of the address to the ambiance and to people.

From bargain to elegant

The best of Filipino architectonics has begin a way to abate the aberrant acumen on the style. He explained the acumen was an affliction. But he said what had been beheld as bargain afore was now advised elegant.

Ceilings crafted from alloyed bamboo, balk flooring, and walls accentuated with capiz shells and mother-of-pearl overlays are aloof some of the ascendant features.

MAÑOSA’S appliance of locally begin architectonics materials, advised cheap, has accustomed his active amplitude a faculty of sophistication. The architectonics of his home auspiciously blurs the borders of attributes and congenital environment. PHOTOS BY DANIEL HIRRO

The banggerahan (dish-washing area) is fabricated of stainless steel, with cupboards  of laminated wood. It contains portraits of altered crops abiding according to the song “Bahay Kubo.”

The kitchen additionally provides a acceptable appearance of the advanced backyard to acquiesce cadre to ahead admission guests.

The playroom, which Mañosa calls the “jeepney room,” displays some of his grandchildren’s feel paintings and a behemothic jeepney-like appliance breadth all the toys are stored in its hood, while its commuter breadth doubles as a basement and sleeping area.

Environmentally acknowledging design

Even afore blooming architectonics became today’s vogue, Mañosa said he had consistently been accumulation environmentally acknowledging designs in the structures he made. The nature-abundant architectonics of Mañosa’s home auspiciously blurs the band amid outdoors and indoors.

Giving application to the country’s close climate, the active room’s bifold acute roof has openings that acquiesce balmy air to avenue the building. The accessible breadth of the address allows air to advisedly circulate.

MANOSA’S grandchildren advance adroitness and cultural faculty through their playroom. The Pinoy jeepney appliance serves as their bed, while assorted educational toys and finger-painted assets serve as canvas.

Hanging in the average of the active breadth is a ample chandelier, advised to attending like a duke of bananas.

Lush landscapes and baptize appearance additionally beleaguer the Mañosa residence, which contributes to the acquiescent cooling of the house, authoritative electric admirers and air-conditioning units around unnecessary.

The master’s bedchamber contains a appearance of a fishpond, which not alone gives the allowance a cooling aftereffect but additionally a adventurous view, as it is positioned in advanced of their bed.

“We absolutely bolt some milkfish at the pond and baker it for dinner,” Mañosa said.

Mañosa has consistently been an apostle of Filipino architecture. Though abstracts are indigenous, accepted architectonics technology allows these to bear the abrasion and breach of the elements and the years, he said.

But he lamented the accepted cachet of Philippine architecture. He said best Filipinos would rather advertence Spanish villas, French chateaus and Mediterranean houses as inspirations for their dream homes. He said this abiding colonial mentality could abolish our own architectonics and civic identity.

“If none of us [architects] will do Filipino architecture, again who abroad will?” he said.

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